Writing in the New York Times Book Review yesterday, Woody Allen (invoking the sort of stereotypes that would be offensive from the pen of a Gentile and maybe even from a Jew like Allen) referred to the American playwright George S. Kaufman as having a “standard tribal hooter and the natural blessing of wit common to his people.”
Benjamin Dreyer, an editor at the American publishing firm Random House, remarked on Twitter that he had only recently become aware of “hooter” as a slang term for “nose” and then had this illuminating exchange:
Mr. Dreyer’s last assessment is spot-on, in my humble opinion.
“Hooter” for nose isn’t all that old; the Oxford English Dictionary’s first citation is from the 1958 book Bang to rights: an account of prison life, by Frank Norman. It’s clearly derived from another British sense of “hooter”–what Americans would call a car horn. Along the same lines, in Australian Rules Football, the hooter is the horn that sounds at the end of a period or a game. In the U.S., traditionally, the main slang meaning of “hooter” is the female breast, as seen in the chain of fine dining establishments.
Woody Allen (whose review proves–again in my humble opinion–that he’s much better at writing comic essays than movies) was in his high S.J. Perelman mode, which includes a mix not only of Britishisms but of Yiddish, low slang, and polysyllabic archaicisms. Thus his “hooter” doesn’t signal or awkward a widespread U.S. adoption. (We’re good with “honker” and “schnozz.”) The only other recent use in the Times was from book critic Dwight Garner, himself an estimable stylist. Reviewing a collection of Garry Trudeau’s “Doonesebury” cartoons in 2010, Garner referred to “the pencil-shaped hooter that his main character, Mike Doonesbury, has sticking out of his face.”